9/11/2023 0 Comments Kdrama move to heaven![]() It’s all plot and emotional stories, for 10 episodes, as Geu-ru and Sang-gu imagine the lives of the deceased, via the things they’ve left behind. In Move to Heaven, there is no falling in love, and no chaste kissing scenes. The majority of K-dramas centre on the romance between the two leads (oftentimes with a love triangle or a second couple thrown in), and if you’re lucky, you get some semblance of a plot to move the romance along. There are very, very few K-dramas with no romantic relationships. Here’s why Move to Heaven is the perfect show for non-fans of K-dramas. Along the way, nephew and uncle get a chance to clean up the mess and trauma in their own lives. Together, they clean up the homes or rooms of people who have recently died, respectfully disposing of their possessions while keeping the things that they deem the “heart” of the deceased in a yellow box to pass to their loved ones. Together with his ex-con uncle Sang-gu ( Lee Je-hoon), he runs Move to Heaven, a trauma cleaning service. The protagonist is 20-year-old Han Geu-ru, who has Asperger’s syndrome, and is played by Tang Joon-sang (who was the youngest North Korean soldier in Captain Ri’s unit, for Crash Landing on You fans). Related: 5 Binge-Worthy Korean Dramas to Watch While Staying Home What if we told you there is a K-drama that does the same thing, yet employs almost none of the cliches that make people roll their eyes at K-dramas? It’s called Move to Heaven, and all 10 episodes premiered on Netflix in May. Well, we can probably add: “The male and female lead always seem to know each other from childhood”, “There’s always a love triangle” and “The protagonists always have some sort of tragic past or dark secret”, among at least 10 other used-to-death K-drama tropes.īut these familiar plot devices are why K-drama fans love K-dramas, along with how the acting, music, editing, slo-mo gazes and lights in the distance combine to hit that emotional spot, and make you experience feelings you never knew you were capable of. And finally, each room the company cleans may be seen as yet another box in and of itself-this place where we sleep, eat, and live out our days is just another confinement summarising our being, scaled up to four walls and a door.Īll in all, the show brings to the fore this truism: in death, we realise just how important it is to live.If you’re a K-drama aficionado who’s ever tried to get a friend or family member to watch your favourite Korean series, these are probably some of their reasons for resisting: “The plots are totally unrealistic and ridiculous”, “Every K-drama is a romantic fantasy” or “The men are prettier than the women, and no one looks like a normal person”. As Geu-ru and Sang-gu deliver leftover belongings, they become privy to the departed's struggles and how they've dealt with being boxed-in by life, so to speak asking viewers to rethink our perceptions of who we are versus who we ought to be. The yellow containers that sum up one's life is a poetic image of how fragile existence can be. The show also offers a layered problematisation of the idea of boxes. It explores, with incredible nuance, the concept of trauma-from the literal procedure of ‘trauma cleaning’, to each family’s ordeal as they go through the deceased's personal effects, to even Geu-ru and Sang-gu’s deep-seated pains from their childhoods or the constant push-and-pull between finding oneself in an otherwise unkind world. ![]() Move to Heaven offers an intricate balance between the agony of those who have moved on and those who have been left behind.
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